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On Rotten Tomatoes the film has a rating of 29 percent. View London gave a two stars out of five said "Provoked is just about worth seeing for its important subject matter and for Aishwarya Rai's performance but it's a real struggle at times, due to the astonishingly inept direction." BBC gave three stars said, "Provoked avoids sentimentality and illustrates how one woman's bravery helped fuel a nationwide crusade and irrevocably altered British laws on domestic violence". Derek Elley from Variety stated "With Rai dignified in a largely reactive role, it's the playing by thesps like Richardson and Das, both excellent, that broadens the pic's emotional palette. Main weakness is that, in the flashbacks, Deepak's role has little backgrounding, and his violent outbursts are given no psychological underpinnings. Picture is more a quality meller, with clearly defined heroes and villains, than a slice of social realism. But for viewers prepared to go with the flow, it works at a gut, movie-movie level". The Times which gave a three stars describes "The key to the picture is its resonant message: everyone should see it to be reminded that domestic violence will never be acceptable, and that the law will now not tolerate it. Mundra thankfully gets Aishwarya Rai to drop her annoying Bollywood mannerisms and surrounds her with sturdy, mainly British, supporting actors. The result is that the actress finally delivers a performance which is not only moving but worthy of the fiery material". UK Channel Film4 rated four stars gave a verdict "A bold story, told with sensitivity and compassion".
Provoked 2 Movie In Tamil Download Movie
The score and the theme song of the film were composed by Academy Award winner Indian composer A. R. Rahman. The theme song, Alive was composed by Rahman, and written and performed by Karen David. The other tracks were done by Karen David. According to her blog, these songs were co-written with Rahman, however Rahman has officially confirmed that he has done only a single track for the film. Another version of the song Alive was recorded by Shreya Ghoshal but was not featured in the movie or officially released. The Hindi Version of 'Alive' was named 'Zindagi and was written by Mayur Puri.
In movies and television, we generally have the protagonist's perspective and the antagonist's perspective. And villains are on the extreme end of the antagonist spectrum. They usually graduate from antagonist to villain by having evil intentions.
Symptoms of visual fatigue induced by images comprise eye discomfort and tiredness, pain and sore around the eyes, dry or watery eyes, headaches and visual distortions such as blurred and double visions, and difficult in focusing (see  for a full review). The main physiological mechanism involved with the onset of visual fatigue concerns the intense eye accommodation activity of 3D movie viewers, such as focusing and converging. It has been argued  that eye focus cues (accommodation and blur in the retinal image) target the depth of the display (or of the movie screen) instead of the displayed scene, generating unnatural depth perception. Additionally, uncoupling between vergence and accommodation affects the binocular fusion of the image. Both processes may generate visual fatigue in susceptible individuals. Since data from symptomatic optometric clinic patients indicate prevalence between 9.2% (accommodative insufficiency) to 7% (convergence insufficiency; but see  for details), prevalence of visual fatigue induced by 3D movie in susceptible spectators might also be large.
The SSQ symptom checklist was compiled before and after each movie. Therefore, 4 SSQ symptom lists (before and after the 2D movie, before and after the 3D movie) were collected for each participants. The before movie scores provided the baseline conditions of participants before each movie.
Movie watchers reporting a post exposure total score SSQ>15 were 14.1% after the 2D movie, while were 54.8% after the 3D movie (Table 2). Differences between 2D and 3D movies of post exposure scores were also evident for the SSQ subscales. After the 3D view, 10.6% of participants had a score of 3 or more in the nausea subscale (compared to 1.1% after the 2D view), 45.0% of participants had a score of 3 or more in the oculomotor subscale (compared to 11.7% after the 2D view), 21.7% of participants had a score of 3 or more in the disorientation subscale (compared to 2.3% after the 2D view).
Closed quadrates: 2D movies; open quadrates: 3D movies. Symptoms belong to Nausea (N-), Oculomotor (O-) and Disorientation (D-) subscales of the Simulator Sickness Questionnaire . Some symptoms belong to two subscales.
Although the assessment of the specific mechanisms that caused the increase of VIMS in spectators of the 3D movies were beyond the scope of our study, the adopted research design allowed participants to be exposed to a variety of commercially available 3D films. Factors that are reported to be associated with VIMS can be categorized into (i) factors associated with the visual stimuli provided to viewers, (ii) factors associated with the position from where the viewers are watching the movie and (iii) the psychophysiological conditions of the viewers. Examples reported in literature include (but are not limited to): the characteristics of the (moving) images (e.g. the optic flow) such as the earth axis along which the visual field is made rotating (, ), the amplitude of the field of view (), the display angle (), the feeling of immersion or presence (), the (co-)presence of vection (, ), the display types (), postural instability (, ), habituation (), age (), gender (), and anxiety levels of viewers (), and others. Interactions and additive effects among factors may also be present, making difficult to predict the final outcome (if a given individual will or will not suffer VIMS).
Earlier experiences of visual discomfort observed in 3D display viewers , ,, led to the hypothesis that the conflict between vergence and accommodation stimuli is the cause of such visual discomfort (, , ). Controlled experimental conditions in which the effect of the vergence-focal conflict on visual fatigue could be isolated from other variables confirmed such explanation . More recently  sorted out experimentally the factors involved in the vergence-accomodation conflict by manipulating the viewing distance, vergence distance, the type of disparity (crossed or uncrossed) and the focal distances and provided some guidelines to minimize viewers discomfort. Additionally, it has been argued that 2D movie viewers tend to focus at the actors while the eye movement patterns of 3D viewers are more widely distributed to other targets such as complex stereoscopic structures and objects nearer than the actors . This behavior might increase the vergence-accomodation mismatch, increasing the visual stress on 3D spectators. The higher intensity of visual symptoms when participants were exposed to the 3D movie compared to the 2D movie observed in our study could be taken as a large scale evidence of such hypothesis.
Multivariate analysis suggests that seeing a 3D movie increases SSQ scores. Besides the exposure to 3D, significant predictors of higher SSQ total score were car sickness and headache after adjusting for gender, age, self reported anxiety level, attention to the movie and show time. The use of glasses or contact lenses does not seem to increase the risk of raising SSQ scores. Women with a history of frequent headache, carsickness (and possibly dizziness, which is correlated with the above mentioned variables) may be more susceptible to VIMS than others. The relationships between motion sickness, vertigo, dizziness and migraine is well documented (,,), and 3D movies may interact with these conditions to produce more symptoms than 2D movies.
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